Random Impulse

His first solid debut release came in the form of "Word On The Street", a 44 track mixtape, dynamically retailed at 4.44. He managed to sell an astronomical 10,000 units independently in a short space of 6 months: a figure that stood out like a light house in a fog of plummeting sales in the UK hip hop scene. The sudden success of the mixtape quickly got the attention of D.Js on legal radio stations such as BBC radio and Kiss 100 fm and the artist was invited on numerous shows to talk about this anomaly. Surprised and excited, Random Impulse quickly began work on a more serious and creative set of songs that would become one of the most demanded and anticipated releases on the streets of London, the project only known as "The Alchemist Proxy."

Although the current buzz surrounding his name seems to have only recently surfaced, he is not new to his craft. He was signed to extremely successful garage label social circles in 2003, alongside underground superstars such as Dexplicit, Donae’o, ms dynamite and sticky. It was here where he performed at the sidewinder peoples choice awards along side Dizzee Rascal and appeared on the bonus disc of the events tape pack along side Donae’o. In 2005 released his first single “who’s that new kid” in which sold 2000 units and released a video to the track “back down” produced by award winning producer Dexplicit. The video gained critical acclaim and reached No. 2 in the channel U charts. In 2006 He appeared victorious when he entered the popular Jump Off Hip Hop battling competition on his first visit and came up with the same result when he entered the lyric pad battle held at the oh bar.

His name Random Impulse reflects his multi-faceted persona perfectly, as his song concepts stretch across an unusually large spectrum. Whilst listening to the new project, you are submerged into a roller coaster world that forces you into a rollercoaster state of nostalgia despite your lifestyle, gender or creed. Whether he’s expressing fear from his unstable workaholic life with the dramatic piano driven "Suicide," forcing you to feel a deep sense of guilt and empathy as he speaks first person as an addicted mother on the soul rendering “The Heroine” Or simply captivating all of the senses with his dynamic story-telling abilities in the form of "Time Travel" where his descriptiveness reaches levels to the point where you could almost swear you can physically see the events in his epic tale.